About
Named “a born bel canto tenor” by the New York Times, Guatemalan tenor Mario Chang’s 2024 – 2025 season sees his debut with Palacio de Bellas Artes in Mexico City to sing Rodolfo in La bohème and a return to Palm Beach Opera to sing his signature Alfredo in La Traviata. Orchestral engagements include Verdi’s Requiem with the San Francisco Symphony and a recital with the Festival Internacional Alfonso Ortiz Tirado in Alamos Sonora, Mexico.
The 2023 – 2024 season saw his return to the Metropolitan Opera to sing Arcadio in Mary Zimmerman’s new production of Catán’s Florencia en el Amazonas, conducted by music director Yannick Nézet-Séguin. Mr. Chang also returned to Palm Beach Opera for his US debut as Cavaradossi in Tosca, and made his debut with Irish National Opera as Alfredo in La Traviata. Additional appearances included a return to Arizona Opera as Roméo in Roméo et Juliette and as Ruggero Lastouc in La Rondine with Washington Concert Opera. Concert work included Verdi’s Requiem with the Tucson Symphony Orchestra.
Operatic highlights include multiple performances at the Metropolitan Opera including as Nemorino in L’elisir d’amore, the Italian Tenor in Der Rosenkavalier opposite Renée Fleming, Arturo in Lucia di Lammermoor, and the Fourth Squire in Parsifal. Additional operatic highlights include Rodolfo in La bohème conducted by Gustavo Dudamel and Ismaele in Nabucco at Los Angeles Opera, Rodolfo in La bohéme and Edgardo in Lucia di Lammermoor at Santa Fe Opera, and Alfredo in La Traviata with Washington National Opera, Atlanta Opera, Oper Frankfurt, and North Carolina Opera. Mr. Chang made his house and role debuts as the title role in Massenet’s Werther with Opéra Orchestre National Montpellier, his house debut at Norwegian National Opera as the Duke in Rigoletto, his house debuts at Ópera de Oviedo as the title role in Ernani, his role debut as Cavaradossi in Tosca with Teatro de la Maestranza, and his house debut with Hong Kong Opera as Alfredo in Traviata. Highlights at Oper Frankfurt include performances as Lenski in Yevgeny Onegin, the Italian Singer in Capriccio, Cassio in Otello, the Italian Tenor in Der Rosenkavalier, the Duke in Rigoletto, the title role in Roberto Devereux, and Rodolfo in La Bohème.
Orchestral highlights include Mr. Chang’s Hollywood Bowl debut as Cassio in Otello and subsequent performance in Verdi’s Requiem with the Los Angeles Philharmonic Orchestra, conducted by Gustavo Dudamel, the Italian Tenor in Der Rosenkavalier with the National Symphony Orchestra, Verdi’s Messa da Requiem with the Washington National Cathedral, Mozart’s Requiem with the Orquesta Sinfónica Nacional de Guatemala, Beethoven’s Symphony Number 9 with the San Francisco Symphony, San Diego Symphony, and Orquesta Sinfónica Centroamericana in Nicaragua, a concert in Puerto Rico honoring Giuseppe Verdi with Teatro de la Opera, his debut with the Orchestre Symphonique de Bretagne in Rennes, France, and as a guest soloist with the St. Petersburg State Capella Symphony Orchestra. Mr. Chang made his Carnegie Hall debut in a concert with the Musical Olympus Foundation, and then returned to appear in recital as part of the Marilyn Horne Song Foundation.
Honors and awards include First Prize, Zarzuela Prize, and audience favorite at the 2014 Operalia Competition, Top Prize in the 2014 Gerda Lissner Foundation competition, a Festival Musique et Vin au Clos Vougeot career grant in 2013, a 2012 Hildegard Behrens Foundation Award grant for promising Young Classical Artists, and the 2011 overall First Prize, Plácido Domingo Prize, and ‘Amigos de Sabadell’ Prize in the Francisco Viñas Competition at the Teatro del Liceu, Barcelona. He has also received awards from the Concurso de Canto Lírico de Trujillo, Perú, and the Asociación Artista del Año and Asociación Dante Alighieri in Guatemala.
Mr. Chang is founder and director of Querido Arte Opera de Guatemala, the first opera company in Guatemala, a Center for the Development of the Arts (Centro de Perfeccionamiento para las Artes), and a youth orchestra and chorus program, creating a platform for the development and promotion for the arts and supporting hundreds of young musicians and emerging artists to reach their dreams. In recognition of this work, he was appointed with the ‘Medalla del Quetzal’ and ‘Cambio de la Rosa de la Paz’ by the Ministry of Culture and Sports of his country, making him ambassador of peace and culture in Guatemala.
He was a member of the Lindemann Young Artist Development Program at the Metropolitan Opera and holds an Advanced Diploma in Opera Studies program at the Juilliard School.
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